These lyrics, while presented as a Kendrick Lamar track, are not actually from any officially released song. They are fan-made or a hypothetical example. However, we can analyze them as if they were written by Kendrick Lamar, drawing on his known stylistic elements and thematic concerns. The "squabble up" refrain is the key to understanding the imagined creative process.

The "Squabble Up" Concept:

The repeated phrase "squabble up" suggests a state of aggressive readiness, a posturing for conflict, a declaration of dominance, and a willingness to engage in a fight, whether literal or metaphorical. It’s braggadocio elevated to a near-mantra. This fits with Kendrick's known propensity to explore themes of violence, struggle, and triumph over adversity, often through a highly stylized and boastful lens.

Themes Reflected in the Lyrics:

• Wealth and Power: The lyrics are rife with displays of material success ("I got hits, I got bucks," "I walk in, walked out with the safe"). This wealth is presented not just as a status symbol but as a tool for asserting power and intimidating others.

• Braggadocio and Intimidation: The boasts are relentless, often violent in nature ("bet I get him splashed," "beat him up"). This is classic Kendrick, though potentially taken to an even more extreme level here. The language is designed to unsettle and establish dominance.

• Rejection of Pretense: The lines about taste ("Look good, but she don't got no taste") and the dismissal of other rappers ("Tell me why the fuck you niggas rap if it's fictional?") suggest a disdain for superficiality and inauthenticity. This fits with Kendrick’s conscious artistic approach.

• Street Cred and Loyalty: References to "brodie," "ghetto child," and specific geographical locations ("Westside")ground the bravado in a specific reality, suggesting a loyalty to his origins while simultaneously showcasing his rise above them.

• Musical Influences: The mention of Kamasi Washington suggests a conscious blending of hip-hop with jazz and other genres, reflecting Kendrick's sophisticated musical palette.

• Paranoia and Suspicion: The lines about foes ("I got friends, I got foes, but they all sitting ducks") and keeping a "horn on me" reveal an underlying sense of paranoia, a feeling of being constantly surrounded by danger.

The "Kendrick Lamar" Style:

The lyrics borrow heavily from Kendrick's signature style:

• Multisyllabic Rhymes: The lyrics demonstrate complex rhyme schemes and internal rhymes characteristic of Kendrick's work.

• Wordplay and Metaphor: The lyrics are filled with metaphors and striking imagery (e.g., "fallin' from a money tree").

• Rapid-Fire Delivery (Implied): The flow of the verses suggests a fast-paced and aggressive delivery, typical of Kendrick's style.

• Conscious and Unconscious: There’s a juxtaposition of conscious social commentary (the questioning of other rappers' authenticity) alongside raw, visceral depictions of violence. This internal conflict reflects some of his deeper thematic explorations.

In conclusion, while not an actual Kendrick Lamar song, the lyrics effectively capture his style and thematic concerns. The "squabble up" motif functions as a central image representing aggression, dominance, and the relentless pursuit of success within a potentially dangerous environment. The overall effect is a hyper-stylized portrayal of power and defiance.